In this mirror of distorted light, their is another scenery alien to life that is another place not here and not anywhere but formed in the reflections as exactly what you see, seen clearly by seeing it not as a distortion but as another place and time where anything might be. It is the strange window in primitive form to anywhere and lacks only proper manipulation for more possibility.
The next part uses this object with the hyperspace and it allows glimpses at the future in a disconnected way from the future only because to reach it perfectly would mean both more accurate reconstruction of what is seen in it.
More specifically a better method would mean free navigation of the space used that on its own in use here is very limited and arbitrary because it doesn't show you inside it and instead shows anything both world or time.
It uses something rather surprising, the material found on the other side of a chip or candy bag, only because it is superior to tin foil in this context to create clear reflections easily in diverse ways.
What is unique about it is that it is malleable and able to be distorted in folds permanent without pressure and allows a basic reflection and distortion space for revealing an arrangement of matter that is not this one but fully unlike it. It means the reflective surface shows you another possible arrangement of matter in a distance of substance unknown.
It means it is useful for viewing things unlike the current world, but the reconstruction of all inside one reflection can potentially take forever, because the exact substance needs for it could be very distant and complex. The view is also misleading from forward front appearance of the whole area and so the exact reach of that specific place is difficult but can be manipulated from yourself acting in the reflection as another entity.
Only because you are distorted in the mirror and look nothing like yourself and can act in it in mirrored form but do not have to be represented as anything to do with you as in the multiverse that reflection can mean anything that it is defined as and this allows more then you looking in a mirror and rather numerous possible motion events of another reality in time and space.
Some may only exist in that space as well and may be self reflected as the necessity for the technology. It serves as my basic window into time and space for revealing the alien unpredictable and uncertain that can be reference narrowed to a specific arrangement and interpretation for reconstruction or study.
It matters not if the reflection is real as another real place in this moment, because all that matters is the inspired imagery that rearranges the reflected matter into a new composition on its own and allows a source of very realistic insight into the possibilities of the infinite.
The only connection between windows in your chip bag and business or conspiracies is that shiny things look like water and our brains are trained by default to be attracted to water. The same with shiny things in general. Shiny attracts us to a specific thing and we see it clearer because animals need to find water so its more apparent in any situation.
My only other theory on this is that if it was in a crashed ufo, any scientist likely first looked at it as a design tool or the like because what better reason could their be beyond this or distortion of mirrors that up until now have been well known and in circuses for that purpose since they are first known to have been found in the Palace of Versailles which was completed in 1682.
As shiny attracts and shiny is popular and expensive for reasons of rarity as a solid of luxury.
As water is the only naturally common substance that is shiny, without digging into rocks less shiny. It is an interesting link able feature to many things, but its truth most evident is surprisingly useful but also quite mundane in functions natural to human behavior.
( That can be manipulated by anyone, since you chose pepsi or coca-cola )
More on this some other time, within a context where any party of kind is viewed as capable of good or evil by individuals within. Who do their own choices, but rarely represent a whole possibility of any group of credential, only one side of a good or evil dichotomy that exists anywhere as positive, neutral, negative, averative and beyond.
Saying this so someone does not take off or put on a tin foil hat.
The way we will do the extraction of objects is simple, we will place the hyperspace spellora into the Time-viewer and then observe different reflections within the mirrors. We will also record the meanings we gained last time on the small papers and use the correct lighting for each observation.
Then we will use the dice and Unneon table with drawn cutouts of the objects we see in it, however the angles of the mirrors in the box make it difficult to show the reflections so I may not be able to show them in all cases.
We will extract four objects, but the time it takes to build them will decide how many are done. Since I am furthering the objects into motion capacity greater and the desire to have internal working parts raising the complexity of each's construction and planning.
Thus I have first recorded the meanings of the four time periods on two pieces of paper where each side is one time period. The reason this matters at all is that they can create backgrounds for angled reflections that allow the reflection to have a distinct world of its own.
As a result the next part will show the arranged tool closely to show example reflections then a drawing is shown of the objects I saw while studying it on paper. These are then cut out and I will select one to model better using the Unneon table. This will provide a description of its outer functions while the rolled dice inspire internal mechanisms.
I will only be using this time travel method of object generation to gain an idea of the possibilities of the future and future work on the future will do so on my own after some initial practice.
Thus below is the time-viewer, the lighting is not shown for occupying space and the example shows simply a present level possibility of interpreted objects, which I add the first light layer to then view the future objects highlighted. These follow the image.
The reflections reveal a strange other space that is random but in study with random meaning reveals it in the key of the uncanny. The like that shows shapes and things that can be given new sense reveal things like I drew that were seen and repeated below.
The purple represents non-physical additions which I will add with photoforms likely taken to being hazeforms of physical insight. The shapes left uncolored to help me draw them with my one free hand while the other shined light on the box and changed the exact appearances of the whole reflected.
Next I must select an object that I drew and cut it out to measure meanings it has and additions by the dice, I do this by placement random on the Unneon table to reveal meanings where they will be found in the same place on the object and think of added within from the dice.
Interestingly, the spray can like object which I choose first, I imagined before looking at the reflections but saw it in the reflections as imagined because the pattern already existed in my mind but was mirrored by chance in the same reflections I encountered. This is a time related coincidence of the machine and pareidolia which creates found patterns and may happen surprisingly.
It's most logical reason is the subconscious and unconscious minds of men, that knows things we know before we know them and these do not always surface at the same time but must be activated.
They can be surprisingly coincidental when they truly spring from your innate thinking prior to your awareness of that thinking. It does mean the fact that sometimes the future was known before it happened by events implying it in earlier less noticed moments that ones instincts did notice. Our minds do some work under us as less conscious process that we then select and improve on forward.
It means the awareness of self is necessary for complex thinking the subconscious can't do as a less aware state of mind. Yet its own states are superior at other processes our awareness lacks by its functions alone. Thus the distinctions of our whole mind create different mental behaviors usable.
This is what the first object's meanings and mechanisms generated were then we begin thinking on how to build it with symbolic models of math.
This is the object I saw before then after in the reflection and I placed it on the table and recorded the meanings I randomly picked for it then I added additional parts using the dice for the inside and mechanics of the whole object. These have been done in symbols to make it a suprise, but the whole use for the object was planned and thought of after the meanings on the Unneon table were gathered then the dice were looked at after a walk where I thought about what the whole would do and more.
The result is an object which does something rather interesting and was not known until after I mapped its useage by the meanings on the Unneon table which defined them in position matched with the dividing lines of the object I drew and cut out. It means if I had placed the object somewhere else on the table the result would have been different but looked roughly the same.
These generation tools for ideas are in function basic the same as any idea generator for a story or otherwise but they have been directed in generation and source of insperation to other subjects and in some cases even subjects as subject of generation for the tool. It means that they map a thinking pattern for the user to think in to reach an idea unthought faster by doing parts of the work for them as a visual process or word set seperate from the thinking that they are applied with.
This means the essential usefulness of idea generation is that unlike normal thinking where every thought has to be processed in mind by the thinker and must be done correctly to innovate by directed thinking.
The use of the exterior object removes part of the brains energy usage and material consumption and thus makes it easier to do by replacing the thinking with the words or steps done by writing instead of thought previous.
Directing the subject matter of the generator means interpreting the information read as useful for the subject in question and it can in fact create new subjects when directed to subject creation instead of a subject. These subjects always related to what was inside the generating subject terms. Since my form of idea generation is especially single word bit based it takes a word as it is when linked in context with another.
So each word and its known meanings are connected and operated on by the defined subject in logical paths akin to the math in especially addition ( of two kinds ) for basic use or in more diversity provide other methods. The same is done with symbols, where depending on the generated action of operation the result is the thought logical cause and effect of the previous two variables in interaction.
In symbols the logical cause and effect is applied to visuals with meanings assigned for the moment only and operated by a language of constant operators which are common and creatively added operators for other moments of need.
Object generators are the same, but use visual information in mostly random arrangements at this time, which in change create a different pattern that is then operated on in the same action of cause and effects assigned to result in an idea.
Evidently the subject or idea must then be put into action which can take time based on what is needed and one can do. None the less the use of idea generators for decreasing brains needed requirements is faster because parts of what is to be thought is already visually present instead of needing to be accessed in mind by thinking to think the next thing.
Yet in certain contexts, idea generation actually allows thoughts to form that cannot be easily reached naturally in process of only thought, due to the amount of ideas needed to cognate the information being to hard to keep focus in mind alone from amount needed. Which writing removes the strain from by making them visual information of the eye rather then the thoughts of brain.
A recent addition of complexity to this idea of idea generation is not using random words for processing ideas but specific word types with the desired context. These limited word or visual sets are chosen so as to fit the theme to increase the desirability and usefulness of the idea generated by restraint to more accurate and broad variables.
Idea generation should be used towards what one wants to think about and the idea should be used if desired or of seeming use. Since the uninteresting or fearful ideas generated without directing the ideas subjects to what is interesting to the person makes it less useful.
Next I must select an object that I drew and cut it out to measure meanings it has and additions by the dice, I do this by placement random on the Unneon table to reveal meanings where they will be found in the same place on the object and think of added within from the dice.
Interestingly, the spray can like object which I choose first, I imagined before looking at the reflections but saw it in the reflections as imagined because the pattern already existed in my mind but was mirrored by chance in the same reflections I encountered. This is a time related coincidence of the machine and pareidolia which creates found patterns and may happen surprisingly.
It's most logical reason is the subconscious and unconscious minds of men, that knows things we know before we know them and these do not always surface at the same time but must be activated.
They can be surprisingly coincidental when they truly spring from your innate thinking prior to your awareness of that thinking. It does mean the fact that sometimes the future was known before it happened by events implying it in earlier less noticed moments that ones instincts did notice. Our minds do some work under us as less conscious process that we then select and improve on forward.
It means the awareness of self is necessary for complex thinking the subconscious can't do as a less aware state of mind. Yet its own states are superior at other processes our awareness lacks by its functions alone. Thus the distinctions of our whole mind create different mental behaviors usable.
This is what the first object's meanings and mechanisms generated were then we begin thinking on how to build it with symbolic models of math.
The result is an object which does something rather interesting and was not known until after I mapped its useage by the meanings on the Unneon table which defined them in position matched with the dividing lines of the object I drew and cut out. It means if I had placed the object somewhere else on the table the result would have been different but looked roughly the same.
These generation tools for ideas are in function basic the same as any idea generator for a story or otherwise but they have been directed in generation and source of insperation to other subjects and in some cases even subjects as subject of generation for the tool. It means that they map a thinking pattern for the user to think in to reach an idea unthought faster by doing parts of the work for them as a visual process or word set seperate from the thinking that they are applied with.
This means the essential usefulness of idea generation is that unlike normal thinking where every thought has to be processed in mind by the thinker and must be done correctly to innovate by directed thinking.
The use of the exterior object removes part of the brains energy usage and material consumption and thus makes it easier to do by replacing the thinking with the words or steps done by writing instead of thought previous.
Directing the subject matter of the generator means interpreting the information read as useful for the subject in question and it can in fact create new subjects when directed to subject creation instead of a subject. These subjects always related to what was inside the generating subject terms. Since my form of idea generation is especially single word bit based it takes a word as it is when linked in context with another.
So each word and its known meanings are connected and operated on by the defined subject in logical paths akin to the math in especially addition ( of two kinds ) for basic use or in more diversity provide other methods. The same is done with symbols, where depending on the generated action of operation the result is the thought logical cause and effect of the previous two variables in interaction.
In symbols the logical cause and effect is applied to visuals with meanings assigned for the moment only and operated by a language of constant operators which are common and creatively added operators for other moments of need.
Object generators are the same, but use visual information in mostly random arrangements at this time, which in change create a different pattern that is then operated on in the same action of cause and effects assigned to result in an idea.
Evidently the subject or idea must then be put into action which can take time based on what is needed and one can do. None the less the use of idea generators for decreasing brains needed requirements is faster because parts of what is to be thought is already visually present instead of needing to be accessed in mind by thinking to think the next thing.
Yet in certain contexts, idea generation actually allows thoughts to form that cannot be easily reached naturally in process of only thought, due to the amount of ideas needed to cognate the information being to hard to keep focus in mind alone from amount needed. Which writing removes the strain from by making them visual information of the eye rather then the thoughts of brain.
A recent addition of complexity to this idea of idea generation is not using random words for processing ideas but specific word types with the desired context. These limited word or visual sets are chosen so as to fit the theme to increase the desirability and usefulness of the idea generated by restraint to more accurate and broad variables.
Idea generation should be used towards what one wants to think about and the idea should be used if desired or of seeming use. Since the uninteresting or fearful ideas generated without directing the ideas subjects to what is interesting to the person makes it less useful.
The basics of idea generation are mostly linking information that is left unlinked in my case, but not all forms of idea generation do this or are the only that exist or can exist. Mine are mathematical and so used to model and orient myself efficiently through the minds arrangements of thought on a vast scope of possibility limited by designed practice.
It is an important part of my entire tool set for what I do and makes me look very creative when I programmed my thinking habits and direction to travel in by habituating and modifying the mathematical codes of my thinking to my desired end.
As using math codes for mental thought makes things more robotic for coding in computers and mind looking and acting very similar while one is self controlled and the other inputted.
This method makes you feel robotic and dog deman me likes being a robot dog, but this is mostly its type of generations method and my personally added tones of view to my own self awareness.
The table of Unneon is technically another method of idea generation similar that selects meanings on a spread of diversity and links them to attached places without using near as much math programming style in its theme and design.
As using math codes for mental thought makes things more robotic for coding in computers and mind looking and acting very similar while one is self controlled and the other inputted.
This method makes you feel robotic and dog deman me likes being a robot dog, but this is mostly its type of generations method and my personally added tones of view to my own self awareness.
The table of Unneon is technically another method of idea generation similar that selects meanings on a spread of diversity and links them to attached places without using near as much math programming style in its theme and design.
Thus we will now show the finished object I generated with my idea generator designed for its useful spread capacities with overlayed objects shown previously in my initial post. It is replaced with the Unneon version because it provides a more alien possibility for world travel when directed that way.
The result lacks the exact appearance because I didn't want to make it look like this, but the invention is the same meaning and idea generated. It is similar in appearance and does one example of the designs possible with the idea that I then made self relevant and useful.
It as an idea succeeds in being naturally useful for something beyond idea generators although it's use by myself happened to be an early example of communication technos which refers forward to the second level of time I mapped and thus did more then I wanted with the extraction.
By subconscious and accidental chance connection and subtext memory self referenced boosts.
This is a sound bottle, which is a bottle with a contents specific and creative which is gathered from outside and when moved creates a sound of the objects interactions in the motion. It allows things like a way to recall the sounds of a place you have visited and this is useful for time and space travel.
In my case it is for my dragon that I hatched a few years ago from a soccer ball that rolled up to me randomly but was special because it had been inflated so much that it resembled an egg for bursting out of its covering and was shaped like and egg.
I kept it and then in its child voice I spoke in my mind it told me to draw on the egg with a marker that then popped the ball and it was windy. I knew it was air and object based by its form as an egg and later the laundry machine room in my building was very cold compared to the rest of the building.
I also saw him in the clouds with other dragons and he follows me around.
It now exists as a changing snake like dragon appearance of my papers and stuff from my project and moves as they move about. I built him a symbolic vessel on my window bottom by finding random large rusty objects and arranging them like a dragon or larger reptile on the window.
Another time I followed a trail sort of like dowsing and gathered sticks and more and put them together to build a special wand that let me see what the dragon named Drafly saw on his end, but I left it under the window on my dresser.
One day my sister climbed through my window to get into the locked house, which is dangerous because the rusty dragon guards the window and it now will not even open at all.
She did this while I had moved away and the dragon followed me there as a new pile of objects and paper in my new room, the wand was broken when she got down from the basement window.
I took it today and used it as part of the variation for the sound the bottle made and so it becomes and sounds like my dragons voice in his language as he lives in another reality on another angle from earth.
Because I don't have more activities with my dragon I forgot him for a bit, so he became my laptop and stared at me and I only did because I have some skepticism at how to better improve the appearance of a dragon in my room and life without making it burn down a farm as is a stereotype.
So I do have one project of works called Subeasts reminiscent of an old paper and pen pet game I made as a kid I promised a sequel to and yet completed that is closer to the idea of pet animal robots then animals in mind.
So for now I can hear him speak by moving the bottle and he was excited to be able to talk.
However, I do not currently feel like making more objects and I may do this in the fourth part of the time travel posts for this cycle of advancement. So instead I want to work on the next post regarding time as a subject matter instead of simply a tool for advancement with additional ideas and practice I have been thinking of. So the other objects may be done later on as additional things pre-started.
This however shows some good example of both object idea generation and direction of improvement shown possible and features pre-physical observation which is always fun. The reflection image is somewhat accurate too, it looks like a dragon, bell and bottle.
It as an idea succeeds in being naturally useful for something beyond idea generators although it's use by myself happened to be an early example of communication technos which refers forward to the second level of time I mapped and thus did more then I wanted with the extraction.
By subconscious and accidental chance connection and subtext memory self referenced boosts.
This is a sound bottle, which is a bottle with a contents specific and creative which is gathered from outside and when moved creates a sound of the objects interactions in the motion. It allows things like a way to recall the sounds of a place you have visited and this is useful for time and space travel.
In my case it is for my dragon that I hatched a few years ago from a soccer ball that rolled up to me randomly but was special because it had been inflated so much that it resembled an egg for bursting out of its covering and was shaped like and egg.
I kept it and then in its child voice I spoke in my mind it told me to draw on the egg with a marker that then popped the ball and it was windy. I knew it was air and object based by its form as an egg and later the laundry machine room in my building was very cold compared to the rest of the building.
I also saw him in the clouds with other dragons and he follows me around.
It now exists as a changing snake like dragon appearance of my papers and stuff from my project and moves as they move about. I built him a symbolic vessel on my window bottom by finding random large rusty objects and arranging them like a dragon or larger reptile on the window.
Another time I followed a trail sort of like dowsing and gathered sticks and more and put them together to build a special wand that let me see what the dragon named Drafly saw on his end, but I left it under the window on my dresser.
One day my sister climbed through my window to get into the locked house, which is dangerous because the rusty dragon guards the window and it now will not even open at all.
She did this while I had moved away and the dragon followed me there as a new pile of objects and paper in my new room, the wand was broken when she got down from the basement window.
I took it today and used it as part of the variation for the sound the bottle made and so it becomes and sounds like my dragons voice in his language as he lives in another reality on another angle from earth.
Because I don't have more activities with my dragon I forgot him for a bit, so he became my laptop and stared at me and I only did because I have some skepticism at how to better improve the appearance of a dragon in my room and life without making it burn down a farm as is a stereotype.
So I do have one project of works called Subeasts reminiscent of an old paper and pen pet game I made as a kid I promised a sequel to and yet completed that is closer to the idea of pet animal robots then animals in mind.
So for now I can hear him speak by moving the bottle and he was excited to be able to talk.
However, I do not currently feel like making more objects and I may do this in the fourth part of the time travel posts for this cycle of advancement. So instead I want to work on the next post regarding time as a subject matter instead of simply a tool for advancement with additional ideas and practice I have been thinking of. So the other objects may be done later on as additional things pre-started.
This however shows some good example of both object idea generation and direction of improvement shown possible and features pre-physical observation which is always fun. The reflection image is somewhat accurate too, it looks like a dragon, bell and bottle.
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